In late 1888, only weeks before his final collapse into madness, Nietzsche (1844 1900) set out to compose his autobiography, and Ecce Homo remains one of the most intriguing yet bizarre examples of the genre ever written. In this extraordinary work Nietzsche traces his life, work and development as a philosopher, examines the heroes he has identified with, struggled against and...(展开全部)

'I am not a man, I am dynamite.' Ecce Homo is an autobiography like no other. Deliberately provocative, Nietzsche subverts the conventions of the genre and pushes his philosophical positions to combative extremes, constructing a genius-hero whose life is a chronicle of incessant self-overcoming. Written in 1888, a few weeks before his descent into madness, the book sub-titled...(展开全部)

Peter Altenberg schrieb darüber 1915 in "Fechsung" auf S. 177, "Nachdem Dr. Egon Friedell das tiefste Buch geschrieben hatte, über das moderne Werden, über mich, hat er mich prompt verleugnet! Weil die anderen das Buch nicht verstanden haben, absichtlich nicht verstehen wollten! Nicht ein jeder ist eben zum Märtyrer seiner höheren Erkenntnisse geboren! Es muß auch ... gute Sch...(展开全部)

From phallic statues and racy antique urns to homoerotic etchings and orgiastic paintings, the pieces portrayed in this eclectic collection of images pay homage to men—and men on men—via a very special voyage through the history of art.

-作者简介- 皮埃尔·布迪厄（Pierre Bourdieu，1930—2002），法国当代著名社会学家、思想家和文化理论批评家，毕业于巴黎高等师范学院。布迪厄开创性地提出了场域、习性、资本等分析范畴，对社会学、人类学、历史学、政治学等人文社会科学的研究产生了广泛而深远的影响。 译者简介 王睿琦，现供职于同济大学人文学院，巴黎西岱大学“文本与图像的历史和符号学”博士，博士论文Roland Barthes: à la recherche de l’irréductibilité（《罗兰·巴特：寻找不可还原性》），由埃里克·马蒂（Éric Marty）教授指导，将由阿尔马丹（Harmattan）出版社出版。 钟牧辰，索邦大学法国文学与比较文学专业博士生，复旦大学—巴黎高师人文硕士班成员，主要研究方向为19世纪法国诗歌以及20世纪法国文艺理论。

This highly acclaimed work, in which Pierre Bourdieu turns his attention to the academic world and offers a brilliant analysis of modern intellectual culture, is now available in paperback. The academy is shown to be not just a realm of dialogue and debate, but also a sphere of power in which reputations and careers are made, defended and destroyed. Bourdieu constru...(展开全部)

-作者简介- 皮埃尔·布迪厄（Pierre Bourdieu，1930—2002），法国当代著名社会学家、思想家和文化理论批评家，毕业于巴黎高等师范学院。布迪厄开创性地提出了场域、习性、资本等分析范畴，对社会学、人类学、历史学、政治学等人文社会科学的研究产生了广泛而深远的影响。 译者简介 王睿琦，现供职于同济大学人文学院，巴黎西岱大学“文本与图像的历史和符号学”博士，博士论文Roland Barthes: à la recherche de l’irréductibilité（《罗兰·巴特：寻找不可还原性》），由埃里克·马蒂（Éric Marty）教授指导，将由阿尔马丹（Harmattan）出版社出版。 钟牧辰，索邦大学法国文学与比较文学专业博士生，复旦大学—巴黎高师人文硕士班成员，主要研究方向为19世纪法国诗歌以及20世纪法国文艺理论。

This highly acclaimed work, in which Pierre Bourdieu turns his attention to the academic world and offers a brilliant analysis of modern intellectual culture, is now available in paperback. The academy is shown to be not just a realm of dialogue and debate, but also a sphere of power in which reputations and careers are made, defended and destroyed. Bourdieu constru...(展开全部)

托尼诺•贝纳吉斯塔（Tonino Benacquista），法国作家、编剧，一九六一年出生于法国一个意大利移民家庭，一九八九年开始创作黑色侦探小说，一九九一年因《失败者的喜剧》荣获包括“侦探文学大奖”等三项奖项。此后陆续有作品被改编成影视剧，他也曾将弗朗索瓦丝•萨冈的小说改编成电影《逃亡之路》，二〇〇一年，因电影《唇语惊魂》荣获恺撒电影节最佳编剧。二〇〇四年，他的小说《别惹我》（Malavita）出版，后被吕克•贝松改编成电影于二〇一三年上映。《直立人伤心俱乐部》是他在二〇一一年新出版的都市世情小说，描写了一群巴黎单身男子跌宕起伏的情感生活。

The collapse of the Soviet Union has opened up a huge consumer market, but how do you sell things to a generation that grew up with just one type of cola? When Tatarsky, a frustrated poet, takes a job as an advertising copywriter, he finds he has a talent for putting distinctively Russian twists on Western-style ads. But his success leads him into a surreal world of spin doctor...(展开全部)